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Veranda’s roundup revisits 10 rooms where designers used wicker in settings ranging from an apartment in Rome to a Caribbean dining pavilion. The examples show the material paired with modern art, patterned upholstery and historic architecture; the article is a design retrospective, not news of a new collection or trend survey.
Veranda has published a retrospective of 10 rooms featuring wicker, documenting how designers have used woven furniture in settings from a Rome apartment and a Maine summer home to a Caribbean resort. The selection makes a visual case for wicker as more than porch or patio furniture, although it does not establish a measurable rise in its popularity among designers.
The rooms span different periods, locations and uses. The report begins with the Café Parisien aboard the RMS Titanic, a Parisian-style dining room furnished with wicker seating and large picture windows overlooking the ocean. It also features the Rome apartment winter garden of fashion designer Irene Galitzine, which Italian designer Renzo Mongiardino furnished with woven pieces by Bonacina, an Italian furniture firm.
Other examples put wicker beside materials and styles that might seem unexpected. In Marella Agnelli’s Rome living room, designed by Ward Bennett in 1977, large wicker furniture shares space with modern art and a neutral palette. Tom Scheerer’s Maine living room pairs antique Bar Harbor chairs with an Eero Saarinen coffee table and a Moroccan wool rug. Mark D. Sikes’s Alabama sunroom combines wicker seating with patterned upholstery.
The roundup also covers resort and outdoor-oriented interiors: Hubert de Givenchy’s poolhouse on the French Riviera; Amanda Lindroth’s loggia in Nassau; and a Dominican Republic beach-club great room designed by Celerie Kemble, where peacock chairs sit alongside colorful tile and island folk art. In Mustique, Veere Grenney refreshed a dining pavilion at Obsidian with wicker furniture made to match original designs. The supplied excerpt names a tenth room, the drawing room at Cobblers Cove, but cuts off before providing its details.
Wicker Beyond the Veranda
The examples matter to readers interested in interiors because they show how designers place wicker in varied settings, rather than treating it as furniture for a single type of space. The rooms pair woven pieces with contemporary furniture, fine art, printed textiles and historic architecture, illustrating ways the material can contribute texture without dictating the rest of a room’s style.
The report’s larger point is an editorial interpretation: that these interiors helped raise wicker’s standing among designers. It supplies no survey, sales data or expert comments to verify a broader shift in the design industry. Its value is therefore as a curated record of notable rooms and design choices, not as evidence of a quantified trend.
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From Shipboard Café to Island Homes
The collection connects wicker to different traditions of indoor-outdoor living. The Titanic café used picture windows and wicker bistro-style seating to evoke a Parisian café; the Riviera poolhouse and Nassau loggia make the material part of settings closely connected to outdoor views and warm climates. Other rooms, including Agnelli’s Rome apartment and the Alabama sunroom, show it used in residential interiors away from a resort setting.
Several featured projects also draw on earlier design work. The Mustique property Obsidian was designed in the 1970s by Oliver Messel for photographer Patrick Lichfield. After Lichfield died in 2005, the property’s subsequent owners hired Veere Grenney to refresh it while retaining its island character, according to the report. Grenney’s custom wicker dining furniture was made to match the original designs.
What the Roundup Cannot Establish
The source is a design roundup, not a reported industry study. It does not establish when wicker became popular among designers, whether its use has grown, or how the selected rooms compare with the wider market. The headline’s phrase “cult status” is framing, not a measured finding supported by data in the article.
The supplied source excerpt also ends during the entry about the drawing room at Cobblers Cove, designed by Lulu Lytle. Details of that room are not available in the material provided, so its furnishings and role in the roundup cannot be described here. The excerpt does not provide a publication date or direct quotations from the designers.
More Rooms, Not a Trend Forecast
The report presents the interiors as examples for readers to explore, rather than announcing a product launch or a next stage in a formal design trend. Readers seeking the complete tenth entry or further details about the rooms can consult Veranda’s original article. Without additional reporting, data or statements from designers, any claim about wicker’s future popularity remains uncertain.
Key Questions
What is the news in this story?
Veranda published a retrospective of 10 interiors featuring wicker, spanning private homes, a shipboard café and resort properties.
Does the roundup prove that wicker is a growing trend?
No. It offers selected examples, but provides no market data or designer survey showing that wicker use is increasing.
Which designers and rooms are included?
The supplied material names rooms associated with Renzo Mongiardino, Ward Bennett, Tom Scheerer, Amanda Lindroth, Celerie Kemble, Mark D. Sikes and Veere Grenney, among others. It also describes wicker seating aboard the Titanic.
What makes the featured rooms notable?
The roundup shows wicker used in settings beyond conventional porches, including a Rome apartment, an Alabama sunroom and a Maine living room. Several examples pair it with modern furniture, art or patterned fabrics.
Is the tenth room fully described in the supplied source?
No. The excerpt begins an entry for the drawing room at Cobblers Cove but cuts off before giving details about the room.
Source: rss
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