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Veranda has published a tour of a 1930s neo-Georgian estate in Greenwich, Connecticut, decorated by Ashley Whittaker for longtime clients and their five sons. The home pairs historic architecture with playful patterns and family-friendly spaces; Whittaker and architect George Knight are still working on it.
Veranda has published a tour of a 1930s neo-Georgian estate in Greenwich, Connecticut, where designer Ashley Whittaker combined the house’s traditional architecture with colorful, informal interiors for a family with five sons. The report describes a project that balances historic character with practical changes to make the sprawling home work for everyday family life and entertaining.
The homeowners bought the property about five years ago after moving from New York City in search of more space for their children, who were then described as active and sports-playing. The residence sits on about six acres and includes additions built over the decades, a pool house, a swimming pool and two detached garages, one with a guest apartment. The sons range in age from eight to 18, according to the report.
Whittaker’s design brings pattern and color into rooms that retain formal architectural features. The game room, which she named among her favorite spaces, has a wool-clad banquette, brass drinks tables and an antique Russian cabinet stocked with cards, dominoes and board games. In the dining room, paneled walls are finished in glossy peacock blue, while decorative painter Chris Pearson added white chevron bands to the dark-stained floor.
Architect George Knight, whose New Haven firm has experience renovating old Connecticut houses, had worked on an earlier update of the property. For the current owners, he reworked the kitchen as a social space and adjusted a back stair so children could reach it from their bedrooms. He and Whittaker also widened the opening between the kitchen and family room. The report says the design work is still underway; it does not give a completion date or disclose the project’s cost.
A Historic House Made for Family Life
The project offers a specific example of how owners and designers can adapt a large, older home without treating its traditional architecture as incompatible with daily use. Knight’s kitchen and stair changes address how the family moves through the house, while Whittaker’s furnishings and finishes soften its formal rooms for both quiet evenings and gatherings.
That balance is visible in the 30-foot living room. Whittaker arranged two seating areas around matching velvet sofas, with chairs and upholstery in varied patterns and complementary blues, greens and taupes. The report says the room was designed to accommodate both a large cocktail gathering and smaller family moments. The tour is a design report, not an announcement of a sale or a public opening.
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From Neo-Georgian Form to Open Rooms
The estate had been expanded over time, including the addition of wings in the 1990s. According to Veranda, Knight’s previous work on the property helped make the house familiar to the owners as they searched for a home. The wife contacted him after discovering it, having enlisted his help in the search because of his firm’s experience with older Connecticut homes.
Some original interiors had been organized to keep service areas apart from rooms used for living and entertaining. Knight updated that arrangement while retaining the building’s historical character. Whittaker’s furnishings carry the same approach: traditional moldings and a collection of blue-and-white porcelain sit alongside contemporary art, patterned fabrics and a modern landscape photograph. In the library, the homeowners display work by Robert Motherwell and Peter Beard, among other artists.
““There’s a playfulness to the space. It doesn’t take itself too seriously, but at the same time, feels elegant.””
— Ashley Whittaker, designer, quoted by Veranda
Project Details Still Pending
The report does not state the renovation budget, provide a full project timeline or specify when the ongoing work will be finished. It also does not detail the extent of any structural work beyond the kitchen, stair and doorway changes described. The homeowners are identified only through their family circumstances, and the article does not disclose their names.
Veranda describes the home and design through its house tour and attributed comments from Whittaker and Knight. It does not provide independent cost estimates or a separate account from the owners. The source material ends mid-sentence while mentioning a new project by Whittaker and Knight, so its scope and location are not confirmed.
Further Design Work Continues
Whittaker’s work at the estate is ongoing, according to the report. The material provided says she and Knight are creating a new project but cuts off before identifying what they are making, leaving the next phase unclear. No completion date or further public update is specified.
Key Questions
Where is the estate?
The house is in Greenwich, Connecticut. The report describes it as a 1930s neo-Georgian mansion on about six acres.
Who worked on the house?
Ashley Whittaker handled the interior design, while architect George Knight worked on architectural changes. Decorative painter Chris Pearson painted the dining room floor design.
What changes made the house more suitable for family life?
Knight reworked the kitchen as a more social space, adjusted a back stair leading from the children’s bedrooms and widened the opening between the kitchen and family room, according to Veranda.
Is the renovation complete?
No completion date is given. Veranda reports that Whittaker’s work on the property is ongoing.
What is distinctive about the interiors?
The design mixes formal Georgian details with colorful finishes and patterned furnishings. Examples include the peacock-blue dining room, a painted chevron floor and a game room furnished for casual use.
Source: veranda.com
